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"SOUND-IN-FORM"

Writer: Gerald Van WaesGerald Van Waes

Updated: Jan 2


book 3: SOUND-IN-FORM - methodical Synesthesia - out now on Trafford





SOUND-IN-FORM VOLUME 1 & 2

VOLUME 1 - THE APPLICATION OF THE WORD


YOUTUBE DEMONSTRATIONS, ADDITIONS & EXPLAINED WORDS:


A FULL LIST OF PREVIOUSLY RECORDED WORDS DEMONSTRATED


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THEORETICAL EXPLANATIONS:


RECOGNIZE THE VOWEL POSITIONS: https://youtu.be/8-vIG4JgQiA


(1) BUILDING UP HOR / VERT / DIAGONAL: https://youtu.be/hHf-KWjjP_4

(2) THE SUBJECTIVE MATHEMATICS OF LANGUAGE: https://youtu.be/9kaz3L_owUw

(3) THE ROOT OF THE FIRST THREE DIMENSIONS: https://youtu.be/NPsg468XGTs

(4) THE ORIGIN OF THE FOURTH DIMENSION : https://youtu.be/a8NRsv92R6I

(5) THE FOURTH AND FIFTH DIMENSIONAL CONTEXTS AS DIRECTION IN LETTERS:

(6) THE CONTEXT OF TIMING AND THE LETTERS P,F, and J.

(7) INTEGRATING THE UNEASY ELEMENTS AND THE LETTERS Q, V and G:

(8) BRIDGING TIME AND SPACE POSITIONS AND THE LETTERS H, R, I and S.

(9) RESUME: THE 3 DIFFERENT REGIONS OF SUGGESTIVE ESTIMATION OF SITUATIONS,

FOCUSSING ON focussing on space, on time or on what is. About letter directions.

(9) RESUME: THE 3 DIFFERENT REGIONS OF SUGGESTIVE ESTIMATION OF SITUATIONS,

FOCUSSING ON focussing on space, on time or on what is. About letter directions.

(10) THE FOCUS OF ATTENTION : https://www.youtube.com/watch?v=ulqD3aClfGA

A. example: SHINE, SHIN, SHINTO: https://www.youtube.com/watch?v=syUaAGtQ_NE 

B. Example: Refocus. Example: VARIATIONS:

C. An example how to visualise vocals & how to direct focus (via the example of OVER):


THE 3 FOCUSSES.

The 3 regions of focus: https://youtu.be/b7vpYeHxPoQ

A reason to refocus: https://youtu.be/ulqD3aClfGA

Focus 1: THE LOCALISATIONS (PLACEMENT): https://youtu.be/04UiqWehDfM

Focus 2: THE DIRECTIONS (CHANGES): https://youtu.be/XvQZUW6hmzg

Focus 3: THE REORIENTATION (CONTEXT) : https://youtu.be/SYoOK9Rtfjk

3 FOCUSSES AT ONCE:

PART 1: A centralised focus: https://youtu.be/NieliCs7fjA

PART 2: A focus upon the materialising. https://youtu.be/gYOQO_V96tw

PART 3: The limits of focus. https://youtu.be/yxqybPM7Ydc

The bird of prey and its use of the 3 focusses (compared to letters):


Brief introduction of the focus of directions theory behind sound-in-form:

with the examples of MASS, MOSS, MES, MESS: https://youtu.be/fWDCzsbwdfs


HOW TO USE THE BOOK (example TREE/BOOM):


REVISIONED RESUME




SPECTOGRAMS VERSUS ORIENTATIONS IN TIME AND SPACE:

Part 1: A,E and I: https://youtu.be/nJHZkPSW1u4

Part 2: A,E,I, The clarifying positions T, O and Hu, and all of its outer limits of focus: K,Z,W,S https://youtu.be/paZGShDHjVs

Part 3: Delays of context: U, D, Q and H https://youtu.be/SvNZxfAZ8r8

Part 4 : The first 9 letter references of orientation in space: https://youtu.be/edC1mmJKwjE

Part 5: Letters of timing: https://youtu.be/sUiS80YdwAg


The 3x3 dimensions of localisations of letters in time and space:

The formal recognition method https://youtu.be/Fi_gFmlaW5w

The forms coming forth from OEZW : https://youtu.be/kPhqvDmOQ9I

Fundamental use of TIMING in letter orientation: https://youtu.be/3Oe8QAHi8Y4


SINE WAVE COMPARISON: (ALL LETTERS)

PART 1 : https://youtu.be/RuLa5cgGgvg  with AT, TA, KAT, TAK, BALL, DAT and LAK


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EXTRA YOUTUBE DEMONSTRATIONS:


INTRO'S on SCRIPTS:


'THE FLAT EARTH CONCEPT' in perspective:

The flat earth part and the importance of gravity:

The role of the Moon and gravity: https://www.youtube.com/watch?v=9V1eiAivWvQ


MOON CALENDER:

The role of the Moon Calender : https://www.youtube.com/watch?v=q_ewcBDnRU8


The 3 ZONES in the spectrograms: https://www.youtube.com/watch?v=B6n81F0UibE


WORD examples of JAPANESE:

BALL-BORU, ME (eye), MEE (NL) & MEI/MAY, MIMI (ear) & (Mu/Noun)

Japanese Question-Words explained from sound-letter meanings:

NANI, ITSU, DARE, DORE, DOKO, IKURA :

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Received comments:

"I like your explanations of the phonetic meanings of the hiragana and the katakana."

Ayuo, Japanese musician


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